The Art of Fiction No. 105
“Thoreau [was] a man of some humor along with his bile.”
“Thoreau [was] a man of some humor along with his bile.”
I can’t really remember how I met Tommy. I recollect him first as a smooth cloche of shiny light brown hair sporting the slender plume of a cowlick, a head bent over a book in study hall belonging to someone I’d heard was captain of the tennis team, leader of the Crowd and Sally’s steady; then, without transition, he was my friend and he was struggling to explain to me his theory about Sartre’s Nausea as we kicked our way through autumn leaves.
Reading is at once a lonely and an intensely sociable act. The writer becomes your ideal companion—interesting, worldly, compassionate, energetic—but only if you stick with him or her for a while, long enough to throw off the chill of isolat…
The history of the Byzantine Empire is threaded with dynastic clashes and family feuds. The Byzantines do not hold the same familiar spot in the Western imagination as their Roman forbears, but the narrative history of their scandals and int…
We’re away until January 3, but we’re reposting some of our favorite pieces from 2017. Enjoy your holiday! Being a red-blooded, blue-blooded male in the Carolingian Empire was a risky business. Those who grew up in Western Europe during the eight…
I’ve loved Pound since I was a teenager. My first lover, Charles Burch, who was a poet himself, used to read Pound to me and swoon over it. I feel that most of our enthusiasms are imitated from people we admire or are in love with, and so this part…
Paris is a big city, in the sense that London and New York are big cities, and that Rome is a village, Los Angeles a collection of villages and Zürich a backwater.
A reckless friend defines a big city as a place where there are blacks, tall buildings and you can stay up all night. By that definition Paris is deficient in tall buildings; although President Pompidou had a scheme in the sixties and early seventies to fill Paris with skyscrapers, he succeeded only in marring the historic skyline with the faulty towers of a branch university, Paris VII at Jussieu (which was recently closed because it was copiously insulated with asbestos), the appalling Tour Montparnasse—and the bleak wasteland of the office district, La Défense.
One of our neighbors is the famous couturier Azzedine Alaïa, the minuscule “architect of the body” as he’s often called because he creates his garments directly on his models, whereas someone like Christian LaCroix dashes off a sketch which he tosses at a trained team of seamstresses who interpret and realize even his most far-fetched inspirations. Alaïa works sometimes late into the night, his mouth full of pins, as he drapes and pulls and turns and twists and dances around the dais like Pygmalion dressing an already transformed and fully alive Galatea.